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THEATER ROLES

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Jakoś to będzie; fot. Agata Stanula (1).
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INT_PRESS_Mistrz_i_Malgorzata_fot_Maciej
Teatr: Witaj
demo teatralne

"HIOB 51" DIR. JAN NOWARA

TEATR IM. WANDA SIEMASZKOWA IN RZESZÓW

Lukasz Ciepliński

A steadfast man with great hope and faith. Stripped of everything in life, I don't let the system break me. He fights all the time, condemned to loneliness, with his weaknesses, aggression and torturing. Driven to delusions, beatings, fractures, he does not give up. I try my best to lift my body and preserve myself. Family memories and faith in God give him the strength to overcome the impossible. The story of a man who cannot be suppressed and has unbreakable faith in himself, God and man. Sensitive, empathetic, brave, brave.

Fot. Rałowski
Fot. Rałowski

"MERRY WINDSOR" DIR.
PAUL AIGNER

TEATR IM. WANDA SIEMASZKOWA IN RZESZÓW

Sir Evans Hugo

A vicar from hell. Greedy for money, abusing the power that the social hierarchy gives him. Falsely saintly, sexually aroused, exploiting the weakness of others. Choleric, manipulator, schemer. There is no character who would not be scolded by him, offended. He reproaches sins under the guise of a correct God's messenger. However, all this is only a pretense, because the vicar is actually a weak, fearful, sinful man. The spectacle is maintained in a grotesque convention, so all the vicar's actions are also strongly exaggerated.

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"IWONA PRINCESS OF BURGUNDA" DIR. WALDEMAR ŚMIGASIEWICZ

TEATR IM. WANDA SIEMASZKOWA IN RZESZÓW

the role of Cyril

A false friend, he plays on several fronts, always for his own benefit. Ruthless and selfish, refined and specific. His goal is to advance as high as possible in the social hierarchy. It would seem that he is devoid of feelings, but inside he is a cowardly and very sensitive man. The life he led aroused his instinct animal. Provokes, mocks, desires power. Born with 5cde-3194-bb3b-136bad5cf58d_convenient tactics.. 

"MASTER AND MAŁGORZATA" DIR. CEZARY IBER

TEATR IM. WANDA SIEMASZKOWA IN RZESZÓW

the role of Koroviev

The master of  joke and wit, he is Woland's right-hand man, his spokesman and blackmail representative. On the surface, Koroviev is elegant, distinguished, inside cc781905-5cde-3194-bb3b-136bad5cf58d is a satanic seducer. Its strength is irony i cynicism. He is the king of life and parties, the leader of human souls, as a conductor directs human action and mind. His methods are not cruel or brutal. He can disarm with certainty, directness, slander, . Koroviev is strong, no one can resist him, no one can refuse him. 

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photo by Maciej Rałowski

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photo by Rafał Korzeniowski

"UTOPIA" DIR. MICHAEL SIEGOCZYŃSKI

POWSZECHNY THEATER W WARSAW

STAGE COMMON TABLE

role Paul

Depressive, enslaved by fear of change, antisocial. Mostly does not leave the house, a even from bed. Aware of the current social situation, full of discord but passive in action. There is a youthful rebel in him, whom he silenced in the apathy of his life. A message received one day changes his life, unleashes his animality and drives him to action. He meets a group of people with whom he shares similar ideas. They become activists to change the world for the better.

"Somehow it will be. A spectacle about robots" dir. JAN HUSSAKOWSKI

TEATR IM. JULIUSZ SLOWACKI IN KRAKÓW

role Roboactor

An experimental role that is based on imagining how a robot/android would do on stage. It is an attempt to answer the question: is this a profession that can be replaced by new technology. The roboactor will do anything, play anything, arouse extreme emotions at will. Can a roboactor feel?  Does have an opinion of their own? does it have intelligence? These are questions that each viewer interprets in their own way. The quote "I think, therefore I am" takes on a new meaning in the age of robotics.

Jakoś to będzie; fot. Agata Stanula (3)

"ALL=GODS IN BLOOD" DIR. GRZEGORZ GRECAS

THEATER FORMAL LAYOUT

INSTITUTE OF JERZY GROTOWSKI IN WROCŁAW

Lord of the Flies role

You can call him the god of cruelty, Satan, who, closed in the minds whispering and evoking atavistic human reflexes, , however, for me, the Lord of the Flies is a collection of disabilities, sufferings, complexes, closed in -5cde-3194-bb3b-136bad5cf58d_a man with a dark past seeking revenge. His determination and hatred are his strength. Everything he does is destructive to the environment and himself.

"LION ON THE STREET" DIR. CEZARY IBER

the role of Neb

The title lion in Cezary Iber's play is not a schematic executioner. The character is characterized by misunderstanding, lack of acceptance and a desire for absolution. Neb initially seems to be a kind of leader of the event, the host of the evening in which he will tell his life story. Leads narrative commenting and taking part in scenes. Jak się okazuję jest to próba rozliczenia się z przeszłością,  zrozumienia siebie i przyznania się do winy. Neb he is a wronged child, a victim who, in the heat of hatred, commits diabolical acts. A role inspired by numerous interviews with Ted Bandy or Iceman.

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"WEDDING" DIR. MONIKA STRZĘPKA

role Journalist

Representative intelligence class. Invited to the country, he drinks, has a lot of fun, adores. Alcohol triggers emotions in him, usually hidden in bourgeois existence. He lets himself be drawn into the wedding whirl, rejecting all accepted correctness and manners. A character full of absurdities and denials. Internally torn, full of doubts about socio-political matters. 

"THE CASE OF KLARA" DIR. ELŻBIETA CZAPLINSKA – MROZEK

the role of Tomasz

Tomek is a strong, masculine, down-to-earth guy. He has no scruples, no inhibitions. In life he did everything himself, doesn't have to prove anything to anyone. He is calculating, specific, straightforward, and his greatest weakness is cc781905-5cde-3194-bb3b-136bad5cf58d_autoaggression. He struggles very strongly with his inner self, and with low self-esteem, he blames himself for everything, he likes to hurt himself.

"RAM WITH A CHEST" DIR. JAN HUSSAKOWSKI

DRAMATIC THEATER IN WARSAW - SCENA PRZODOWNIK 

Oviduct and various characters

The performance has the form of an improvised cabaret. Actors play different characters. Wysnuwają inteligentne żarty wynikające z kontekstu danej sceny lub mierzą się z najbardziej żenującym dowcipem. They open the viewer to an innovative art form and break the boundaries of his shame. I play the roles of: master of ceremonies, editor fascinated by poetry poetry, spokesman stutterers, TV presenter. We are trying to find a new quality kabaret in Poland. Each "set" has a different theme, and scenes written by playwrights ensure originality.

Teatr: Film
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